Introduction to Film Studies
Introduction to Film Studies Lesson 8: Auteur Theory Part of the Introduction to Film Studies course. ⬅️Previous Lesson | Course Syllabus | Next Lesson ➡️ Who is the Author? Introduction: The Director as God When we discuss a novel, we say, "This is a book by Hemingway." When we discuss a
Introduction to Film Studies
Introduction to Film Studies Lesson 7: Sound Part of the Introduction to Film Studies course. ⬅️Previous Lesson | Course Syllabus | Next Lesson ➡️ The Hidden Narrative Introduction: The Forgotten Sense We call it "watching" a movie, but we should call it "experiencing" a movie. While the eyes are
Introduction to Film Studies
Introduction to Film Studies Lesson 6: Editing Part of the Introduction to Film Studies course. ⬅️Previous Lesson | Course Syllabus | Next Lesson ➡️ The Invisible Art Prerequisite: Lesson 5: Cinematography Introduction: The Third Meaning In the previous lessons, we discussed the "Raw Materials" of cinema – the script, the set, the
Introduction to Film Studies
Introduction to Film Studies Lesson 5: Cinematography Part of the Introduction to Film Studies course. ⬅️Previous Lesson | Course Syllabus | Next Lesson ➡️ The Camera’s Consciousness Prerequisite: Lesson 4: Mise-en-scène Introduction: The All-Seeing Eye In the previous lesson, we looked at what was in the room (Mise-en-
Introduction to Film Studies
Introduction to Film Studies Lesson 4: Mise-en-scène Part of the Introduction to Film Studies course. ⬅️Previous Lesson | Course Syllabus | Next Lesson ➡️ The Psychology of the Room Prerequisite: Lesson 3: The Principles of Form Introduction: The Director as Architect In the previous lesson, we analyzed the abstract rules of
Introduction to Film Studies
Introduction to Film Studies Lesson 3: The Principles of Form Part of the Introduction to Film Studies course. ⬅️Previous Lesson | Course Syllabus | Next Lesson ➡️ The Hidden Logic of the Movie Prerequisite: Lesson 2: Narrative Structure Introduction: The Closed System In the previous lesson, we looked at how filmmakers manipulate Time
Introduction to Film Studies
Introduction to Film Studies Lesson 2: Narrative Structure Part of the Introduction to Film Studies course. ⬅️Previous Lesson | Course Syllabus | Next Lesson ➡️ The Art of Time Travel Prerequisite: Lesson 1: The Critical Faculty Introduction: The Viewer as Detective If Lesson 1 was about Space (what is in the frame), Lesson
Introduction to Film Studies
Introduction to Film Studies Lesson 1: The Critical Faculty Part of the Introduction to Film Studies course. Course Syllabus | Next Lesson ➡️ From Consumption to Critique Introduction: The Trap of "I Liked It" We all start as fans. We go to the cinema to escape, to feel, and to
Philosophical Films
MUBI has always been more than a streaming platform. It curates - and increasingly helps bring into being - cinema as an ongoing philosophical conversation.
Philosophy Through Film
Discover 5 essential films that explain complex philosophical concepts, from The Matrix to The Seventh Seal. Perfect for students and cinephiles.
Events
Eternal Sunshine of the Spotless Mind begins with a premise that is dangerously seductive: if a relationship ends in heartbreak, why not just hit delete?
Events
After Life asks a question that is both simple and terrifying: if you could choose only one memory to take with you into eternity, what would it be?