Introduction to Film Studies 9: Realism vs. Formalism

Introduction to Film Studies Lesson 9: Realism vs. Formalism Part of the Introduction to Film Studies course. ⬅️Previous Lesson | Course Syllabus | Next Lesson ➡️ The Hidden Narrative Introduction: The Window vs. The Frame Every filmmaker must answer one philosophical question before they pick up a camera: What is the purpose of

Introduction to Film Studies 8: Auteur Theory

Introduction to Film Studies Lesson 8: Auteur Theory Part of the Introduction to Film Studies course. ⬅️Previous Lesson | Course Syllabus | Next Lesson ➡️ Who is the Author? Introduction: The Director as God When we discuss a novel, we say, "This is a book by Hemingway." When we discuss a

Introduction to Film Studies 7: Sound

Introduction to Film Studies Lesson 7: Sound Part of the Introduction to Film Studies course. ⬅️Previous Lesson | Course Syllabus | Next Lesson ➡️ The Hidden Narrative Introduction: The Forgotten Sense We call it "watching" a movie, but we should call it "experiencing" a movie. While the eyes are

Introduction to Film Studies 6: Editing

Introduction to Film Studies Lesson 6: Editing Part of the Introduction to Film Studies course. ⬅️Previous Lesson | Course Syllabus | Next Lesson ➡️ The Invisible Art Prerequisite: Lesson 5: Cinematography Introduction: The Third Meaning In the previous lessons, we discussed the "Raw Materials" of cinema – the script, the set, the

Introduction to Film Studies 5: Cinematography

Introduction to Film Studies Lesson 5: Cinematography Part of the Introduction to Film Studies course. ⬅️Previous Lesson | Course Syllabus | Next Lesson ➡️ The Camera’s Consciousness Prerequisite: Lesson 4: Mise-en-scène Introduction: The All-Seeing Eye In the previous lesson, we looked at what was in the room (Mise-en-scène). Now, we turn our

Introduction to Film Studies 4: Mise-en-scène

Introduction to Film Studies Lesson 4: Mise-en-scène Part of the Introduction to Film Studies course. ⬅️Previous Lesson | Course Syllabus | Next Lesson ➡️ The Psychology of the Room Prerequisite: Lesson 3: The Principles of Form Introduction: The Director as Architect In the previous lesson, we analyzed the abstract rules of Form and

Introduction to Film Studies 3: The Principles of Form

Introduction to Film Studies Lesson 3: The Principles of Form Part of the Introduction to Film Studies course. ⬅️Previous Lesson | Course Syllabus | Next Lesson ➡️ The Hidden Logic of the Movie Prerequisite: Lesson 2: Narrative Structure Introduction: The Closed System In the previous lesson, we looked at how filmmakers manipulate Time

Introduction to Film Studies 2: Narrative Structure

Introduction to Film Studies Lesson 2: Narrative Structure Part of the Introduction to Film Studies course. ⬅️Previous Lesson | Course Syllabus | Next Lesson ➡️ The Art of Time Travel Prerequisite: Lesson 1: The Critical Faculty Introduction: The Viewer as Detective If Lesson 1 was about Space (what is in the frame), Lesson

Introduction to Film Studies 1: The Critical Faculty

Introduction to Film Studies Lesson 1: The Critical Faculty Part of the Introduction to Film Studies course. Course Syllabus | Next Lesson ➡️ From Consumption to Critique Introduction: The Trap of "I Liked It" We all start as fans. We go to the cinema to escape, to feel, and to

3 Essential Philosophical Films on MUBI (UK)

MUBI has always been more than a streaming platform. It curates - and increasingly helps bring into being - cinema as an ongoing philosophical conversation.

5 Crucial Films for Understanding Philosophy (And Where to Start)

Discover 5 essential films that explain complex philosophical concepts, from The Matrix to The Seventh Seal. Perfect for students and cinephiles.

Eternal Sunshine: The Ethics of Erasure and the Architecture of Regret

Eternal Sunshine of the Spotless Mind begins with a premise that is dangerously seductive: if a relationship ends in heartbreak, why not just hit delete?